Textile artist to really grab your eye

TAKE A MUCH CLOSER LOOK... and you will see in textile artist, Judith Roberts' (pictured) work extraordinary detail and skill. Pictured with Judith are her pieces (hanging from top down) Lichen, Moss..., Pebbles and Slate and Reading Between the Lines. To the left of Judith is her exquisitely crafted, Tiny Vessels made entirely from thread. Photo: Natasha Fujimoto

By Natasha Fujimoto

SELF-TAUGHT, eclectic, innovative and a touch flamboyant are the words textile artist, Judith Roberts uses to describe both herself and her extraordinary work.

Declaring that she never had an artistic bone in her body until her inception as a volunteer at SAM coincided with having to sew her son a ‘daggy’ pair of shorts, Judith has since gone on to stitch, knit, crochet, dye and felt her way into innumerable exhibitions.

Inspired by landscapes, witty phrases and the creativity of others, Judith uses an array of sustainable materials to create dynamic textures, scenes and images that are both beautiful and distinctly original.

In conjunction with local artist, Kerry Handwork, Judith exhibited Reading Between the Lines at the Foundry Art Space in Echuca last year.

TAKE A MUCH CLOSER LOOK… and you will see in textile artist, Judith Roberts’ (pictured) work extraordinary detail and skill. Pictured with Judith are her pieces (hanging from top down) Lichen, Moss…, Pebbles and Slate and Reading Between the Lines. To the left of Judith is her exquisitely crafted, Tiny Vessels made entirely from thread. Photo: Natasha Fujimoto

With the intention of drawing viewers’ attention to examine her pieces more closely, Judith purposefully left ‘holes’ with stitched words encased within three of her artworks, Reading Between the Lines, Pebbles and Slate and Lichen, Moss…

When asked her reasoning for this intriguing form of messaging, embedded within the already alluring work, Judith said, “Each of the three pieces is composed of complex cords, and there’s a lot of different processes going into making each of them.

“I deliberately left holes as I was stitching them together because I want people to look more closely at the work and say, ‘Oh look, she’s used a piece of throw away fabric and now it’s this, or now it’s that.’

“I want people to wonder, how did she do it?” Judith said.

Judith’s textile art is available for purchase, and enquiries can be made at judith3631@gmail.com or by phoning 0429 937 023.